| 论“长安画派”的艺术精神 |
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| 引用本文： | 肖云儒. 论“长安画派”的艺术精神[J]. 西安交通大学学报(社会科学版), 2011, 31(2): 85-89 |
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| 作者姓名： | 肖云儒 |
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| 作者单位： | 陕西省文联,陕西,西安,710066 |
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| 摘 要： | 长安画派艺术精神的核心是融汇-探索-创新。创新的基本方法是一手伸向生活,一手伸向传统。创新的表现是四个出入——出入于百年来中国画的各种创新路经,走自己的新路;出入于大生活和大生命,以生命体悟催化艺术创新;出入于黄河文化、西部文化,以新异文化因子改变画坛格局;出入于绘画的中法和西法,执守国魂西用,拓出新意。
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| 关 键 词： | 长安画派 艺术精神 文化因子 绘画流派 |
On Antistic Spirit of the Chang'an Painting School |
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| XIAO Yun-ru. On Antistic Spirit of the Chang'an Painting School[J]. Journal of Xi'an Jiaotong University(Social Sciences), 2011, 31(2): 85-89 |
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| Authors: | XIAO Yun-ru |
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| Affiliation: | XIAO Yun-ru(Literal Federation of Shaanxi Province,Xi'an 710066,China) |
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| Abstract: | The core of the artistic spirit of the Chang'an Painting School is Fusion-Exploration-Innovation. The basic method to create is holding one hand out to life and holding another hand out to tradition. The expression of innovation is Four Exits and Entrances-getting into and out of diverse innovation paths of Chinese paintings over the past one hundred years,but taking its own new road;getting into and out of great livelihood and great life with life experience and comprehension catalyzing artistic innovation... |
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| Keywords: | Chang'an painting school artistic spirit cultural factor life experience and comprehension |
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