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文学革命与梁启超对中国文学审美意识更新的贡献
引用本文:金雅.文学革命与梁启超对中国文学审美意识更新的贡献[J].云梦学刊,2003,24(3):61-66.
作者姓名:金雅
作者单位:杭州师范学院,人文学院,浙江,杭州,310012
基金项目:浙江省“十五”规划课题“梁启超文艺美学思想与现代价值研究”(N02WX4),浙江省教育厅课题“梁启超与20世纪中国文论”(2002XP59)。
摘    要:文学革命是近代资产阶级革命运动的副产品,也是中国文学自身新旧嬗变的历史产物。梁启超关于文学革命的理论倡导与建构体现了20世纪新的文学审美意识与审美理想的萌芽,是中国文学审美理念更新的重要阶梯。

关 键 词:文学  革命  审美  更新
文章编号:1006-6365(2003)03-0061-06
修稿时间:2003年3月5日

LITERARY INNOVATION AND STYLISTIC AESTHETICS--On Liang qichao's revolutionary theory of the three literary forms and the change of aesthetic mentality in China's literature of the 20th century
JIN Ya.LITERARY INNOVATION AND STYLISTIC AESTHETICS--On Liang qichao''''s revolutionary theory of the three literary forms and the change of aesthetic mentality in China''''s literature of the 20th century[J].Journal of Yunmeng,2003,24(3):61-66.
Authors:JIN Ya
Abstract:Liang Qichao is one of the chief initiators of the revolutionary theory of the three literary forms in modern times. This theory is not just the by-product of bourgeois revolutionary movement modern China, but the consequence of self-transmutation of China's modern literature as well. Liang revolutionary ideas represent the coming of new aesthetic mentality and aesthetic ideal in the 20 century ,and thus have become one important part in the transitional phase of aesthetic ideas in modern Chinese literature.
Keywords:revolution in the three literary forms  literature  aesthetics  transition  
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