从歌剧《阿依达》看威尔第在创作中的创新

在19世纪欧洲浪漫主义时期,歌剧在不同国家有着不同的发展路线。作为意大利的歌剧创作代表人物,威尔第借用法国大歌剧的创作手法,将意大利的传统歌剧发扬光大,并在此基础上融入了自己的创作风格。在他的歌剧创作中,古典主义时期歌剧中以分曲式结构为主的创作特点被减少,宣叙调与咏叹调的界限亦被淡化。文章以其代表作《阿依达》为切入口,重点探讨威尔第在歌剧中的创新表现。

The Analysis of Verdi's Creations According to His Opera "AIDA"

At the background of romanticism,operas developed in different ways in different European countries in the 19th century.As the representative of Italy's opera creation in this period,Verdi used his own ideas and created a new style of opera on the basis of traditional French operas.At the same time,traditional Italian operas had been carried forward.In his works,he tried his best to reduce the division between sortita and scena in opera.However,in the classical period,sortita and scena are combination in opera.Many artists have a research on his works in order to find out his creation and contribution in opera and they have achieved some fruit.In this thesis,some new ideas about his style of his works are proposed according to the analysis of one of his famous works "AIDA".