| 论郭沫若文化身份的嬗变——从《女神》到《屈原》 |
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| 引用本文： | 魏红珊. 论郭沫若文化身份的嬗变——从《女神》到《屈原》[J]. 中国社会科学院研究生院学报, 2006, 0(3) |
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| 作者姓名： | 魏红珊 |
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| 作者单位： | 四川省社会科学院文学研究所 副研究员、文学博士 |
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| 摘 要： | 本文用文化批评的方法,解读郭沫若五四时期的《女神》和抗战时期的《屈原》,透视其文化身份的嬗变,研究其对个体和民族群体文化身份的构建,凸显其作品的新的诠释及价值。
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| 关 键 词： | 郭沫若 文化身份 嬗变 构建 |
The Evolution of Guo Mo-ruo''''s Cultural Identity --from Goddess to Qu Yuan |
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| Wei Hongshan. The Evolution of Guo Mo-ruo''''s Cultural Identity --from Goddess to Qu Yuan[J]. Journal of Graduate School of Chinese Academy of Social Sciences, 2006, 0(3) |
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| Authors: | Wei Hongshan |
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| Affiliation: | Wei Hongshan |
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| Abstract: | The paper would like to study Guo Mo-ruo from the perspective of cultural criticism. Through interpretation of Guo Mo-ruo works, such as Goddess written in Wu Si Period and Qu Yuan written in the period of the War of Resistance Against Japan, the evolution of his cultural identity can be found. By studying Guo Mo-ruo's constructs of cultural identity of individual and ethnic groups, the new value of his works can be highlighted. |
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| Keywords: | Guo Mo-ruo cultural identity evolution construct |
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