论审美主观形式

从两重性的角度对待审美主观形式,就等于把它贯穿于审美活动的全过程,审美主观形式因此不再仅仅是一种意识形式。两重性就是指潜在性与显在性。一方面,它们是一种历时性的相互过渡关系,潜在性在作为审美活动方式规范的意义上,通过美的生成而过渡到显在性;显在性在作为审美意识特性规范的意义上,通过美的消耗而过渡到潜在性。另一方面,它们又是一种共时性的相互转化关系,潜在性在不同的参照系中转化为显在性,显在性在不同的参照系中转化为潜在性。两重性的过渡与转化描述了审美主观形式与审美客观活动的连接过程,并通过这个过程揭示了审美本身的规律。

On the Subjective Forms of Aesthetics

Duality refers to potentiality and evidency. From this perspective, the subjective form of aesthetics can be thought to run through the whole process of aesthetics. In this case, it is not only a form of ideology. On the one hand, potentiality and evidence are in the diachronic relationship of mutual transition. Potentiality, in the sense of the regulation of aesthetical activity, is transformed into evidency through the production of beauty. Evidency, in the sense of the regulation of aesthetical awareness, is turned into potentiality through the consumption of beauty. On the other hand, they are in the synchronic relationship of mutual transformation. Potentiality is transformed into evidency in different frames of reference, and vice versa. The mutual transformation of the duality describes the interconnection between the subjective form of aesthetics and the objective activities of aesthetics. Through the process, the inherent principles of aesthetics itself are disclosed.