| “老衲笔尖无墨水,要从白处想鸿蒙”——担当绘画艺术美学思想研究 |
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| 引用本文： | 翟艳春. “老衲笔尖无墨水,要从白处想鸿蒙”——担当绘画艺术美学思想研究[J]. 甘肃教育学院学报(社会科学版), 2014, 0(1): 120-124 |
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| 作者姓名： | 翟艳春 |
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| 作者单位： | 云南民族大学艺术学院,云南昆明650031 |
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| 基金项目： | 2012年度云南省哲学社会科学规划项目“老衲笔尖无墨水,要从白处想鸿蒙——明清云南高僧书画艺术中的佛学思想研究”（QN201245）阶段性成果 |
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| 摘 要： | 云南明清高僧书画艺术对中国佛教文化和艺术都产生了一定的影响,其挖掘的空间也很大.作为明末清初滇文化的代言人,他们的生存方式、佛学思想、艺术活动、精神寄托乃至生命感悟都在书画艺术中得以彰显.明清滇僧大多诗书画无所不能,其中以普荷担当声名最为显著,影响深远.担当的作品,具有独特的禅画风格,意境冷逸、空蒙,具有较强的识别性和研究性.本文从书画理论、作品风格、禅学思想等几个方面,对担当书画艺术中所蕴涵的美学思想做出论述,同时通过作品对其审美取向和禅学思想进行分析.
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| 关 键 词： | 担当 书画 美学 禅 |
Research on Dan Dang Painting Aesthetics |
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| ZHAI Yan-chun. Research on Dan Dang Painting Aesthetics[J]. Journal of Gansu Education College(Social Sciences), 2014, 0(1): 120-124 |
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| Authors: | ZHAI Yan-chun |
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| Affiliation: | ZHAI Yan-chun (Yunnan Nationalities University School of Arts, Kunming 650031, China) |
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| Abstract: | In mid 17th century, Yunnan painting and calligraphy art appeared a peak, especially in the monks of painting and calligraphy art the most outstanding. Most of them are poem ＆ handwriting omnipotent, forming a Yunnan speeial artistic style. Dan Dang is representative. At the same time Dan Dang Buddhism attainments deep, Rich artistic back- ground, poem ＆ handwriting no impassability, Buddhism and calligraphy and painting art in Dan Dang body got perfect union. Through the Dan Dang＇s calligraphy and painting art, this paper expresses his philosophy of Buddhism. |
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| Keywords: | calligraphy and painting artistic conception Buddhist |
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