从文学的、平面的到文化的、立体的--20世纪80年代以来中国戏曲研究方法变革之探讨

自20世纪80年代以来,研究方法一直是研究者所关注的一个核心话题。相对其他学科而言,研究方法对戏曲研究的推动作用尤为显著,它使整个戏曲研究学科发生了脱胎换骨式的变化。研究者们充分考虑戏曲自身的特性,大胆借鉴考古学、民俗学、宗教学等其他学科的相关理论和方法,从更新戏曲观念、开辟文献来源新途径、拓展学术研究空间等角度出发,进行了研究范式的更新。学科发展的内在需要导致了研究范式的变革,改变了戏曲研究的基本格局,影响到戏曲研究的性质和走向;同时,这种新变又对研究方法提出了更新的要求,使其朝实效性、灵活性和包容性方向调整。两者之间存在着良性互动的关系。

From the literature,plane to culture,three-dimensional the discussions of the change to the Chinese opera research approach Since the eighties of the 20th century

Since the eighties of the 20th century,the research approach has been a key topic that researchers have paid close attention toall the time. Compared with other disciplines,there is a very obvious impetus on opera in the research approach. It makes the wholeopera studied discipline and changed basically. The researchers fully consider the characteristic of the operaoneself, draw lessons fromthe relevant theory and method of disciplines,such as archaeology,folklore, religion,etc. boldly. From newer opera idea, open up thesource of the document, expanding the space of academic research, have studied the renewal of the model type. The need of disciplinedevelopment has caused the change of the research approach. It change basic pattern that opera study, influence nature, trend that operastudy; Besides, new change put forward high request to research approach, make it change towards substantial results, flexibility andgetting wide direction. There is a benign, interdynamic relation between the two.