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新诗史写作:可能与限度
引用本文:黄雪敏.新诗史写作:可能与限度[J].江汉大学学报(人文科学版),2006,25(2):11-14.
作者姓名:黄雪敏
作者单位:首都师范大学,文学院,北京,100037
摘    要:通过比较《中国当代诗歌史》《中国当代新诗史》《现代汉诗的百年演变》这三部新诗史对食指和朦胧诗这一个共同问题的不同阐述,可以较深入地探讨新诗史写作中不同的写作立场、研究观念和研究方法带来的可能性和限度.这三部新诗史能让读者从不同的角度、不同的侧面进入历史,为我们阅读诗歌营造了不同的氛围,对读者而言,它们是互补的,共同为我们阐释那一段历史,突现诗人诗作,使我们获得一种对历史的洞察和评判能力.

关 键 词:新诗史写作  食指  朦胧诗
文章编号:1006-6152(2006)02-0011-04
收稿时间:2005-12-10
修稿时间:2005年12月10

Writing History of New Poetry: Possibility and Limitation
HUANG Xue-min.Writing History of New Poetry: Possibility and Limitation[J].Journal of Wuhan Institute of Education,2006,25(2):11-14.
Authors:HUANG Xue-min
Abstract:The comparison of the three books of History of Modern Chinese Poetry, History of Modern Chinese New Poetry and Centurial Evolution of Contemporary Chinese Poetry makes it practicable to have a deep-going discussion about the possibility and limitation brought forth by their different standpoints,study concepts and study methods shown in their different explanations on the same subject of forefinger poems and misty poems. The three books enable readers enter history from different angles and sides,provide a different ambience for reading poems, with the works of poets sticking out, and render the readers a historical insight and the ability to judge.
Keywords:writing history of new poetry  forefinger  misty poems
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