| 论莫里森小说创作的音乐节奏 |
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| 引用本文： | 王红坤,国红. 论莫里森小说创作的音乐节奏[J]. 青岛农业大学学报(社会科学版), 2006, 18(2): 84-86 |
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| 作者姓名： | 王红坤 国红 |
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| 作者单位： | 1. 临沂师范学院,信息学院
2. 临沂市第四实验小学,山东,临沂276005 |
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| 摘 要： | 黑人传统音乐因素对莫里森小说创作产生了深刻影响,她把代表非洲文化的黑人音乐运用到创作中,将音乐作为一种叙述策略,表达了对黑人种族命运及其文化地位的强烈关注。《所罗门之歌》、《宠儿》中黑人音乐因素起到了布局谋篇、控制故事节奏的效果。
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| 关 键 词： | 莫里森 音乐 《所罗门之歌》 《宠儿》 |
| 文章编号： | 1008-7141(2006)02-0084-03 |
| 修稿时间： | 2005-11-30 |
On the Musical Rhythm in Toni Morrison''''s Novel Writings |
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| WANG Hong-kun,GUO Hong. On the Musical Rhythm in Toni Morrison''''s Novel Writings[J]. Journal of Laiyang Agricultural College(Social Science Edition), 2006, 18(2): 84-86 |
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| Authors: | WANG Hong-kun GUO Hong |
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| Abstract: | The Black traditional music elements influenced Toni Morrison's writings.Morrison used these elements as a kind of narrative strategies and expressed her strong attention to the fates of the Black nation and its culture.In The Song of Solomon and Beloved,the Black traditional music elements formed the structure and adjusted the rhythms of the novels. |
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| Keywords: | Toni Morrison music The Song of Solomon Beloved |
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