| 匡正倾斜的叙事--当下中国电影叙事透视 |
| |
| 引用本文： | 董华峰.匡正倾斜的叙事--当下中国电影叙事透视[J].兰州大学学报(社会科学版),2005,33(5):14-20. |
| |
| 作者姓名： | 董华峰 |
| |
| 作者单位： | 北京师范大学,艺术与传媒学院,北京,100875 |
| |
| 摘 要： | 在西方探索电影的簇拥下,近二十多年的中国电影创作,一直潜存着一种个人化的、形式主义的风尚,这种追求虽然促成了中国电影多元化、艺术化发展局面的形成,但它也使中国电影不断地偏离大众艺术的轨道.这种个人化追求的背后,反映出的是创作理性的倾斜与迷失,因而,应该重新以传统叙事为基础,来匡正当下业已倾斜的中国电影叙事.
|
| 关 键 词： | 中国电影叙事 形式主义 西方探索电影 传统叙事 |
| 文章编号： | 1000-2804(2005)05-0014-07 |
| 修稿时间： | 2005年2月23日 |
On the Narrative Techniques of Contemporary Movies in China |
| |
| DONG Hua-feng.On the Narrative Techniques of Contemporary Movies in China[J].Journal of Lanzhor University(Social Sciences),2005,33(5):14-20. |
| |
| Authors: | DONG Hua-feng |
| |
| Abstract: | The author maintains that China's movie creation in the past two decades has defected in a too personal and formalistic mode precipitated by the avant-garde movies of the West. While leading China's movies onto a pluralistic path, this mode has divorced the movie industry from its audiences and what lies behind is the loss of the rational orientation in artistic creation. Therefore, to do justice to China's movie industry, measures ought to be taken to bring back the conventional narrative techniques. |
| |
| Keywords: | China's movie narrative formalism avant-garde movies conventional narrative |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
