| 奈何之情与六朝文学情感空间的拓展 |
| |
| 引用本文： | 赵树功. 奈何之情与六朝文学情感空间的拓展[J]. 宁波大学学报(人文科学版), 2004, 17(5): 29-34 |
| |
| 作者姓名： | 赵树功 |
| |
| 作者单位： | 宁波大学,文学院,浙江,宁波,315211 |
| |
| 摘 要： | 奈何之情是在一般与官能相通的喜怒哀乐之情之外更为复杂的情感,它在起初伴随人的生命意识的觉醒而觉醒,又因自我理性对生命规律的痛切认识而和自我密切关联。但在中古文人那里,因为玄学的渗透,这种情感融入了对人之生命整体的、终极性的反思而实现了对一己功利性情感的超越,从而具备了审美意味。这种审美情感的形成,使文学表达的空间得到有利拓展,也使文学反映人生的深度得到了保障。从此,文学的本体性特征日益明显,和个体之间的关系也日益密切
|
| 关 键 词： | 奈何 审美 中古 文学 表现 拓展 |
| 文章编号： | 1001-5124(2004)05-0029-06 |
| 修稿时间： | 2004-03-12 |
Naihe and the Emotions in the Literature of the Six Dynasties |
| |
| ZHAO Shu gong. Naihe and the Emotions in the Literature of the Six Dynasties[J]. Journal of Ningbo University(Liberal Arts Edition), 2004, 17(5): 29-34 |
| |
| Authors: | ZHAO Shu gong |
| |
| Affiliation: | ZHAO Shu gong |
| |
| Abstract: | Naihe (roughly equivalent to utter helplessness) is a feeling more complicated than other emotions which is closely related to one consciousness of life. For the men of letters in middle ancient times, this feeling had the aesthetic sense as a result of the influence by metaphysics and rational recognition of the meaning of life. This article discusses the feeling as expressed in the literature in the Six Dynasties. |
| |
| Keywords: | helplessness aesthetics middle ancient times literature expression development |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
