| 试析倪瓒的"隐遁" |
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| 引用本文： | 陈静.试析倪瓒的"隐遁"[J].绍兴文理学院学报,2005,25(4):106-108. |
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| 作者姓名： | 陈静 |
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| 作者单位： | 兰亭书法,艺术学院,浙江,绍兴,312000 |
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| 摘 要： | 本文主要阐述了倪瓒"隐遁"的内因和外因,认为倪瓒散尽家资隐遁"五湖三泖间"二十余年.既源于他孤高清绝的天性,更有元代纷乱动荡的社会外因.他的"隐遁"与他的道学思想有着深刻的关系,是他的"体道而居".倪瓒的隐遁,成就了他超脱的人格和高逸的画品,以至于后辈文人画家几乎无人可及.
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| 关 键 词： | 隐遁 超脱 体道 |
| 文章编号： | 1008-293X(2005)04-0106-03 |
| 修稿时间： | 2005年5月8日 |
On Ni Zan's "Seclusion" |
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| Chen Jing.On Ni Zan's "Seclusion"[J].Journal of Shaoxing College of Arts and Sciences,2005,25(4):106-108. |
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| Authors: | Chen Jing |
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| Abstract: | The present paper aims to investigate the internal and external causes of Ni Zan's choice to live in "seclusion".The author argues that Ni Zan chose to live a hermit's life not only because he was unworldly by temperament but also because of the social unrest during the Yuan dynasty (1279-1368 A.D.).In fact,his way of life was closely linked to his Taoist doctrine of human life.It was this seclusion that made the artist even more unworldly and helped mould his exceptionally elegant style unparalleled by most of his successors. |
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| Keywords: | seclusion unworldly Taoism |
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