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文化间性的例证:中国诗歌审美范式对美国诗歌创作的影响
引用本文:邱国红.文化间性的例证:中国诗歌审美范式对美国诗歌创作的影响[J].云梦学刊,2005,26(1):96-99.
作者姓名:邱国红
作者单位:北京工商大学,外语系,北京,100037
摘    要:中国诗歌的传统题材、“意象叠加”的艺术境界、“缘情说”的诗学理念、“兴”的创作手法、“哲理入诗”的审美范式,甚至中国传统哲学的理论观点和汉诗的句式结构,在二十世纪几代美国诗人的创作中都得到了程度不同的体现。对美国诗歌创作实践产生了整体性影响。

关 键 词:中国诗歌  美国诗歌  审美范式  文化间性
文章编号:1006-6365(2005)01-0096-04
修稿时间:2004年8月20日

EXAMPLES OF INTERCULTURALITY: INFLUENCE OF CHINESE POETRY'S AESTHETIC PARADIGM ON AMERICAN POETRY'S CREATION
QIU Guo-hong.EXAMPLES OF INTERCULTURALITY: INFLUENCE OF CHINESE POETRY''''S AESTHETIC PARADIGM ON AMERICAN POETRY''''S CREATION[J].Journal of Yunmeng,2005,26(1):96-99.
Authors:QIU Guo-hong
Abstract:This thesis, in terms of interculturality , intends to demonstrate the facts, through brief analyses on some certain eases, that the aesthetic paradigm of Chinese traditional poetry has evoked overall influential effects on the practice of American poetic composition in the twentieth century, and concludes that the traditional subjects of Chinese poetry, the artistic conception of accumulation of images ,the affection-oriented idea of Chinese traditional of accumulation of images, the affection-oriented idea of Chinese traditional poetics, the creative device of poetical xing(association),and the adoptionof philosophical thoughts into poetry, are more or less embodied in the corpus of American twentieth-century poets generation after generation.
Keywords:Chinese poetry  American poetry  aesthetic paradigm  interculturality  
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