多模态视角下诗画语篇解读

中国自古有之的诗配画语篇是比较早的多模态语篇类型,但从多模态角度对其研究却不多见。根据语类研究理论对诗画语篇进行了界定并分类,将其分为题画诗(诗配画)和题诗画(画配诗)两种类型。在多模态语篇分析理论框架下,依照Kress & Leeuwen的视觉语法和张德禄的多模态话语形式及关系,以郑板桥的诗配画语篇(竹石图)为例,分析该语篇诗文与图画的关系及其对语篇连贯的促进作用,帮助读者更好地理解和欣赏诗配画语篇的意义及多模态语篇中模态的关系及连贯。

On the Poetry and Painting Discourse from Multimodal Perspective

Traditional poetry with paintings is the earlier multimodal text, but there are seldom researches about it. This paper, firstly, defines poetry and paintings and classifies it into tow main types： 1 ） Painting with poetry; 2） Poetry with paintings. Then, this paper takes Zheng Banqiao＇ s bamboo and stone picture as an example, applying the multimodal discourse analysis theory and using the framework of Kress ＆ Leeuwen＇ s visual grammar and the framework of Zhang Delu＇ s multimodal discourse form and relationship to analyze the fist type of poetry with paintings. It mainly explores the relationship between poetry and painting and how the two integrate to build an organic and cohesive discourse. This analysis can help readers understand and appreciate better the poetry with painting text.