| 撞击下的浮躁与选择--从《一个都不能少》、《黄河绝恋》谈起 |
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| 引用本文： | 邢虹文. 撞击下的浮躁与选择--从《一个都不能少》、《黄河绝恋》谈起[J]. 上海大学学报(社会科学版), 2001, 8(3): 18-22 |
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| 作者姓名： | 邢虹文 |
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| 作者单位： | 上海大学,影视艺术技术学院,上海,200072 |
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| 摘 要： | 电影的特征不仅在于人如何面对摄影机表演,而且还在于人如何借助摄影机来表现客观世界.张艺谋和冯小宁都是对生活,对人的情感和命运极为关注的非常成熟的艺术家,他们的影片摆脱了重重的滤镜效果、神奇的蒙太奇技术的控制,增强了对主宰我们生活之"强制设施"的洞察.
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| 关 键 词： | 电影 张艺谋 社会转型 霸权主义 |
| 文章编号： | 1007-6522(2001)03-0018-05 |
| 修稿时间： | 2000-02-25 |
Impetuosity and selection in conflict |
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| XING Hong-wen. Impetuosity and selection in conflict[J]. Journal of Shanghai University(Social Science Edition), 2001, 8(3): 18-22 |
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| Authors: | XING Hong-wen |
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| Abstract: | The characteristics of movies lie in not only how performers act before the cinecameras, but also how human beings show the objective world with the aid of cine cameras. Mr. Zhang Yi mou and Mr. Feng Xiao gang are both fairly mature artists who pay close attention to life and to the emotion and fate of human beings. Their movies have cast off the effects by overlapping filters and the magical montage technology they employ enhances the insight into the "coercive facilities" dominating our destiny. |
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| Keywords: | movies Mr. Zhang Yi mou Shift of social pattern hegemonism |
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