| 美声唱法的起源、特点及其在中国的传播 |
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| 引用本文： | 刘福瑞. 美声唱法的起源、特点及其在中国的传播[J]. 湛江师范学院学报, 2006, 27(4): 139-141 |
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| 作者姓名： | 刘福瑞 |
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| 作者单位： | 湛江师范学院,艺术学院,广东,湛江,524048 |
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| 基金项目： | 湛江师范学院校科研和教改项目 |
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| 摘 要： | 美声唱法是从宗教音乐的背景中诞生的,最早源自“阉人歌手”。“阉人歌手”所创造的一整套歌唱方法被保留下来,经整理改良并发扬光大,逐渐成为意大利古典唱法的一种特殊发声方法和声音形式,即美声唱法。美声唱法形成后,陆续向欧洲其它国家扩展,“五四”之后进入中国,成为音乐教育的重要部分。
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| 关 键 词： | 宗教音乐 阉人歌手 美声唱法 |
| 文章编号： | 1006-4702（2006）04-0139-03 |
| 收稿时间： | 2006-04-26 |
| 修稿时间： | 2006-04-26 |
Origin and Features of Bel Canto and Its Spread in China |
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| LIU Fu-rui. Origin and Features of Bel Canto and Its Spread in China[J]. Journal of Zhanjiang Normal College, 2006, 27(4): 139-141 |
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| Authors: | LIU Fu-rui |
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| Abstract: | Bel canto originated from Castrato under the background of religious music and has retained the vocal techniques used by Castrati.After being sorted out and improved,the techniques developed into a specialized classical vocal technique in Italy,that is,Bel canto.It gradually spread to other European countries.It entered China during the May Fourth Movement,and has become a most important part in China's music education. |
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| Keywords: | religious music Castrato Bel canto |
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