十年来禅宗美学研究综述

当代禅宗美学起步于20世纪80年代的禅宗与诸文艺领域的关系研究，从90年代开始逐步重视了对禅宗美学本身的研究．包括本体论研究和对其历史发展与演变的梳理．90年代末到21世纪之初的近十年主要集中在禅宗美学本体论研究、禅宗美学与其他宗教美学的比较研究、禅宗美学与艺术各领域的关系研究、禅宗美学在中国美学上的独特地位研究以及禅宗美学个案研究包括人物个案和学派个案。其研究方法主要有以潘知常通过海德格尔的生存本体论的观点和方法和张节末以现象学原理研究禅宗美学。近十年来禅宗美学研究是禅宗美学的展开期，是在学者们对中国美学的独特的价值和现代意义探讨的大语境中兴起的．

SUMMARIZATION OF THE RESEARCH ON ZEN AESTHETICS IN RECENT 10 YEARS

The contemporary zen aesthetics was started by the research on the relationship between zen and other literatural fields in the 80s. Since the 90s, zen aesthetics itself which includes the ontology and its historical development and evolvement has been gradually attached importance to. For almost ten years from the late 90s to the early new century, the zen aesthetics ontology, the comparative research between zen aesthetics and the aesthetics on other religions, the relationship between zen aesthetics and the literary fields, the special status of zen aesthetics on the Chinese aesthetics, and the case study of zen aesthetics which includes person case study and school case study have been mainly focused on. The main methods are from Pan zhichang and Zhangjiemo. Pan thought that zen aesthetics should be analysed through the points and ways of the ontology of Martin Heidegger while Zhang thought that we should analyse zen aesthetics using the principle of phenomenology. In the late ten years, scholars put a deeper research on zen aesthetics which was springing up and the discussion was focused on the value of the unique Chinese aesthetics and on the modem meaning of zen aesthetics.