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在若即若离之间寻找真实——纪录片拍摄中主客体之间的关系透视
引用本文:张捷音.在若即若离之间寻找真实——纪录片拍摄中主客体之间的关系透视[J].江苏工业学院学报(社会科学版),2008,9(4):108-110.
作者姓名:张捷音
作者单位:江苏工业学院宣传部
摘    要:纪录片是以真实性表达生活感受的一种方式。这种真实性既要表达拍摄者的思想和观点,又要尊重被拍摄者尊严和感受。在纪录电影的发展历史上,这二者的关系彼此交织互相影响,共同形成了纪录片真实性的二维空间。纪录片的编导们一直在努力探索怎样最大限度地接近"真实",然而随着时代的变迁、社会语境的变换,"真实"的涵义也不断地改变着。在当下的社会环境下,编导们所应恪守的是真实性这一纪录片与生俱来的特性,以及尊重被拍摄者的感情与尊严。在这样的双重维度下,纪录片的真实是可以无限逼近却无法真正触及的。

关 键 词:纪录片  真实性  关系

Seeking the Truth——On Relations between Subject and Object in Documentary Film
ZHANG Jie-yin.Seeking the Truth——On Relations between Subject and Object in Documentary Film[J].Journal of Jiangsu Polyetchnic University:Social Science Edition,2008,9(4):108-110.
Authors:ZHANG Jie-yin
Abstract:The documentary film is a means of expressing how we feel in life with the truth,through which we can find the producer's ideas,meanwhile,the dignity and feeling of those screened also should be taken into consideration seriously.During the development of documentary film,the two points have influenced each other and become two factors of documentary film.The directors have always been exploring how to express the truth with maximum extent,while,with the changes of times and social context,the definition of "being true" also have been changing accordingly.Presently,directors should adhere to its own characteristics and respect the feeling and dignity of those screened,through which the truth of documentary film can be achieved as great as possible,but cannot be reached finally.
Keywords:documentary film  truth  relations
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