| 从音乐美学角度论音乐艺术的形式与内容 |
| |
| 引用本文： | 龙晓匀. 从音乐美学角度论音乐艺术的形式与内容[J]. 中央民族大学学报(哲学社会科学版), 2004, 0(1) |
| |
| 作者姓名： | 龙晓匀 |
| |
| 作者单位： | 中央民族大学艺术学院音乐系 北京 100081 |
| |
| 摘 要： | 音乐美学是一门既古老而又年轻的学科,它具有美学—艺术哲学的性质和高度的抽象性、涵盖性,区别于音乐学中的其他学科。它侧重研究音乐艺术的基本规律,并有它自己独特的研究领域及对象。音乐美学不仅要对音乐的形式、音乐的内容各个环节进行深入细致的研究,同时还要注意各个环节之间的相互依存、相互制约、相互推进的辩证关系。
|
| 关 键 词： | 音乐美学 音乐形式 音乐内容 相互关系 |
Discuss on the Form and Content of Musical Art from the Angle of Musical Aesthetics |
| |
| LONG Xiao-yun. Discuss on the Form and Content of Musical Art from the Angle of Musical Aesthetics[J]. Journal of The Central University for Nationalities(Humane and Social Sciences Edition), 2004, 0(1) |
| |
| Authors: | LONG Xiao-yun |
| |
| Abstract: | Musical aesthetics is an old and young subject.It has the nature of aesthetics-artistic philosophy including abstraction and containment,which is different from other subjects in musical field.Musical aesthetics not only makes a thoroughgoing and painstaking study,but also pays attention to the dialectical relation of links,which depend,restrain and push on each other. |
| |
| Keywords: | musical aesthetics musical form musical content mutual relation |
| 本文献已被 CNKI 等数据库收录！ |
|
