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论初唐骈体诗序的艺术成就及其缺陷
引用本文:吴振华. 论初唐骈体诗序的艺术成就及其缺陷[J]. 宁波大学学报(人文科学版), 2013, 0(6): 1-8
作者姓名:吴振华
作者单位:(安徽师范大学 文学院,安徽 芜湖
基金项目:国家社科基金后期资助项目(12FZW009);安徽省哲学社会科学规划项目(AHSK09-10D81);教育部人文社科规基金项目
摘    要:初唐诗序以四杰与陈子昂为代表,将六朝以来的骈体诗序推向了艺术高峰,取得了很高的艺术成就。主要表现为:写景整饬流丽、境界开阔;刻画人物肆意铺排、神采飞扬;大量抒发人生感慨,富于文人气息;注重文气,骈偶中融贯散文的流畅自然;诗文交融,使文序具有诗的意境。当然,也存在一些重大的缺陷,如“序重诗轻”、格式雷同、用典僵化等,成为骈体诗序继续发展的障碍。

关 键 词:初唐诗序初唐诗序  艺术成就  艺术缺陷

On the Artistic Achievements and Defects of Poetical Prefaces in the Early Tang Literary Style
WU Zhen-hua. On the Artistic Achievements and Defects of Poetical Prefaces in the Early Tang Literary Style[J]. Journal of Ningbo University(Liberal Arts Edition), 2013, 0(6): 1-8
Authors:WU Zhen-hua
Affiliation:WU Zhen-hua ( College of Arts Anhui Normal University, Wuhu 241000, China )
Abstract:The poetical prefaces in the early Tang dynasty mark the peak of the literary genre started in the Six Dynasties, as is demonstrated by the works of Chen Zi'ang and other talented poets in the early Tang Dynasty. These works are featured with elegance, loftiness and vividness, full of scholarly integrity and the fluency of prose. However, they have some defects: "unbalance of the poem and the preface", sameness in format and using rigidity in quotations.
Keywords:poetical preface poetical prefaces in the early Tang literary style  artistic achievement  artistic defect
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