| 以诗为史：清初浙东地域诗歌创作的群体特征 |
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| 引用本文： | 敖运梅.以诗为史：清初浙东地域诗歌创作的群体特征[J].宁波大学学报(人文科学版),2013(6):17-21. |
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| 作者姓名： | 敖运梅 |
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| 作者单位： | 宁波大学 人文与传媒学院,浙江 宁波,315211 |
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| 基金项目： | 浙江省教育厅2011年度科研项目 |
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| 摘 要： | 诗歌创作具有一家之言的特质，臧否时事、訾议人物比以历史事实为中心的书写更加灵活。恰逢明亡清兴之际，处于其间的浙东诗家，因循王阳明、刘宗周心学一脉，提倡诗道性情、诗以传史，以经世致用为核心，矫七子诗文之弊，由唐入宋，完成清初浙东诗歌群体审美风格的转变与延续。
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| 关 键 词： | 清初 浙东 诗歌创作 诗学理论 |
Poems of Historical Records:Characteristics of Poets in the East Zhejiang at the Beginning of the Qing Dynasty |
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| AO Yun-mei.Poems of Historical Records:Characteristics of Poets in the East Zhejiang at the Beginning of the Qing Dynasty[J].Journal of Ningbo University(Liberal Arts Edition),2013(6):17-21. |
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| Authors: | AO Yun-mei |
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| Institution: | AO Yun-mei ( Faculty of Liberal Arts and Communication, Ningbo University, Ningbo 315211, China ) |
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| Abstract: | Poetry creation is personal and more flexible in making comments on current affairs and personages than those writings that concern facts. In the late Ming Dynasty and the early Qing Dynasty, the eastern Zhejiang poets adhered to ＂xinxue＂ （the philosophy of mind＂ by Wang Yangming and Liu Zongzhou, advocating poetry for expressing poets＇ emotions and recording history. This is a shift from the style popular in the Tang and the Song. |
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| Keywords: | the early Qing Dynasty East Zhejiang poetry creation poetic theory |
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