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乾嘉时期戏曲评点理论发覆
引用本文:李克.乾嘉时期戏曲评点理论发覆[J].北方论丛,2009(5).
作者姓名:李克
作者单位:北京师范大学,文学院,北京,100875
摘    要:清代乾嘉时期是中国传统学术文化由理学迈向朴学之重要转型期,也是中国戏曲评点理论发生转变的关键期.清代戏曲评点在清初顺、康年间达到鼎盛,乾隆以后又迅速走向衰落.较清初而言,乾嘉时期的初戏曲评点在延续中有变化,主要表现在:戏曲叙事结构理论的延续与变异、形式批评的崇尚和反剧场化的艺术追求.这是时代思潮规训和文人戏曲评点家忽视戏曲综合性艺术的"类"特征二者合力的结果,标志着古典戏曲评点日渐走向衰亡.

关 键 词:乾嘉  戏曲评点  叙事结构  形式批评  反剧场化

Research in Theory of Opera Commentary in the Period of Qian and Jia of Qing Dynasty
LI Ke.Research in Theory of Opera Commentary in the Period of Qian and Jia of Qing Dynasty[J].The Northern Forum,2009(5).
Authors:LI Ke
Institution:LI Ke(College of Literature,Beijing Normal University,Beijing 100875,China)
Abstract:The period of Qian and Jia of Qing Dynasty is an important transition period of Chinese traditional academic culture from neo-confucianism to pu-learning,is also a the critical period that the theory of Chinese opera commentary changes. Opera commentary of Qing Dynasty reach its peak in the period of Shun and Kang,,the period of Qianlong rapidly declines. Than the early Qing Dynasty,opera commentary in the period of Qian and Jia has changed,mainly reflected in:continuationand variation of the theory of narr...
Keywords:the period of Qian-Jia  opera commentay  narrative structure  the form of criticism  anti-theater  
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