论“情之正”——民初小说中女学生“自由结婚” 的真义与限度

具有新式教育背景的女性是清末民初婚姻变革的先锋。当通俗小说家对“自由结婚”的现象进行批判和思考时，她们也成了文本中的女主角。在民初的哀情小说中，践行“自由结婚”的女学生的价值取向被设定为“情之正”：其举动须“发乎情，止乎礼义”，同时尊重、遵从“父母之命”。她们对“情之正”的选择，正是对爱情的真挚、炽热性质的回避。小说家由此显示出其立场的局限性。因为通俗小说对市民庸俗道德观念的迎合，这类文本的使用在“小说证史” 的研究中存在一定限度：小说中女学生的价值观念不宜等同于现实中女性的取舍，通俗文本只在心态史的层面才具有史料价值。

Subject analysis of Zhaoyin and anti-Zhaoyin poems: A case study of Yinyi poems of the Wei and Jin dynasties

As the important part of ancient Chinese Yinyi poems, Zhaoyin and anti-Zhaoyin poems played a key role in the development of Chinese Yinyi poems. Zhaoyin and anti-Zhaoyin poems became popular in the Wei and Jin dynasties, especially in the two-Jin period. This paper focuses on the Yinyi poems of the Wei and Jin dynasties to elaborate Zhaoyin and anti-Zhaoyin poems. In order to express the poet''s seclusion-preferred emotions, Yinyi poems of the Wei and Jin dynasties used a variety of subject images and structures for self-construction.