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| 论多元化语境下中国绘画的传承与变革 | |
| 引用本文： | 王旭东,魏意苹,陈学书.论多元化语境下中国绘画的传承与变革[J].郑州航空工业管理学院学报(社会科学版),2007,26(5):204-206. |
| 作者姓名： | 王旭东 魏意苹 陈学书 |
| 作者单位： | 1. 郑州航空工业管理学院,河南,郑州,450015 2. 河南商业高等专科学校,河南,郑州,450045 3. 河南财经学院,河南,郑州,450002 |
| 摘 要： | 文章重点阐述了在这新旧时代转型期,中国绘画由“天人合一”的中国传统审美精神向深研传统、心系生活、广济修养和容纳中西等多方位相互依存的绘画特征过渡,并对当今的中国绘画如何构建一个现代性的艺术平台和坚持正确健康的发展方向进行探讨。 |
| 关 键 词： | 中国绘画 传统审美 多元化语境 |
| 文章编号： | 1009-1750(2007)05-0204-03 |
| 修稿时间： | 2007年8月15日 |
The Actuality and Development of Chinese Traditional Paintings in Pluralistic Context |
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| WANG Xu-dong,WEI Yi-ping,CHEN Xue-shu.The Actuality and Development of Chinese Traditional Paintings in Pluralistic Context[J].Journal of Zhengzhou Institute of Aeronautical Industry Management(Social Science Edition),2007,26(5):204-206. | |
| Authors: | WANG Xu-dong WEI Yi-ping CHEN Xue-shu |
| Institution: | WANG Xu- dong, WEI Yi- ping, CHEN Xue- shu |
| Abstract: | This paper is intended to expatiate the transition from Chinese traditional aesthetic spirit of syncretism of nature and humans to characters of paintings which depend on each other for existence in several orientations such as deep research of tradition,heart relating to life,broad relation to self-restraint and acceptance of Chinese and the West during the stage while characters in both new and old eras transit.This may thus construct a modernistic art platform and a positive healthy developing trend for Chinese paintings of the time. |
| Keywords: | Chinese paintings traditional aesthetic spirit the pluralistic context |
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