从文化生态视角看祁太秧歌的生成

祁太秧歌从清代形成以来，就以独特的剧种特色成为晋中地区具有标志意义的民间文化现象。从文化生态的角度探讨祁太秧歌的生成，分析祁太秧歌特色的形成与地域文化的内在关联，可以看出：晋中地区生态环境决定了当地农商结合的生产结构及文化特征，农业社会形成的社火传统为祁太秧歌表演形态的演进奠定了良好的基础，也决定了其表演内容的狂欢性特征；农商结合的生产方式造就了商人和游商小贩等特殊的社会群体，人们对不同群体生活的社会记忆和道德评价成为秧歌剧目的内容特色；开放通达的地理优势带来频繁的人员流动和异文化的交融渗透，祁太秧歌多渠道吸收外来民间艺术的精华，形成曲调丰富不拘一格的表演特色；雄厚的经济基础和强大的娱乐市场需求，促使秧歌组织形成并持续发展，使秧歌传统得以传承。

Study the Form of the Qitaiyanggo from the Angle of Culture Ecology

The Qitaiyanggo formed in Qing Dynasty, and is a special folk culture with the mark meaning for its characters in Shanxi Province. Discusses the form of Qitaiyanggo from the angle of culture ecology and analyses the relation between regionally culture and the characteristic of Qitaiyanggo, the article points out that the given environment decided the production structure of combination of agriculture and commerce and the culture character, the Shehuo tradition established the base of the form of Qitaiyanggo and decided the carnival character of the program. The life style classifies the people as merchant,peddlery, and other special society groups. The social memory and the moral evaluation of their life was the characteristic of the content of Qitaiyanggo. As a result of intercommunion of the culture between different regions, Qitaiyanggo absorbed the art pith, which had come from the other region and formed the unique style of art. The forceful need of recreation made the organization of yanggo formed, developed, and inherited.