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道家自然美学的两大文论形态
引用本文:王焱.道家自然美学的两大文论形态[J].石河子大学学报(哲学社会科学版),2006,20(2):55-57,63.
作者姓名:王焱
作者单位:浙江大学,人文学院,浙江,杭州,310028
摘    要:道家自然美学可分为两种内在构架不同的文论形态:无心自然文论与率性自然文论。这两大文论形态在表层的入思方式上有所不同:一个是在自然之美与审美心理的二元预设模式中申诉其文论理念;一个是在自然之性与文明桎梏的二元预设模式中切入其文论问题。然而统而观之,两者的终极思维是一脉相承的,都是在本心与自然同化、本性与外物对立的思维模式中思考美学问题的,都将自然运化、不受束缚、率性抒写、不假雕琢当作至高的美学审美理想。

关 键 词:道家  自然  美学  文论
文章编号:1671-0304(2006)02-0055-03
修稿时间:2005年9月2日

Two Forms of Literary Theory of Taoist Natural Esthetics
WANG Yan.Two Forms of Literary Theory of Taoist Natural Esthetics[J].Journal of SHIHEZI University(Philosophy and Social Science),2006,20(2):55-57,63.
Authors:WANG Yan
Abstract:Taoist natural esthetics can be divided into two different forms of literary theory:form without intention and form in accordance with nature.Although different in the external way of thinking: one explains its idea between natural beauty and esthetical intention,the other between nature and civilization,the ultimate thinking mode of the two forms are consistent in that they both tend to consider esthetical issues in integration between self and nature and in opposition between ego and nonego,regard nature as the supreme esthetical idea.
Keywords:Taoist  nature  esthetics  literary theory  
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