| 文人画:历史起源与重建 |
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| 引用本文： | 方汉文,汤胜天.文人画:历史起源与重建[J].盐城工学院学报(社会科学版),2014,27(4):51-56. |
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| 作者姓名： | 方汉文 汤胜天 |
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| 作者单位： | 1. 苏州大学人文学院,江苏苏州,215123
2. 华东师范大学艺术研究所,上海,200032 |
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| 摘 要： | “重建文人画”首先要对文人画的历史源流进行梳理.文人画的美学话语起源远比现有的艺术史或绘画史立论要早得多,它起源于仰韶文明陶器绘画中的“象其物宜”的主体性;文人画以线条为重要的手段,进而提倡“书画同源”,将书法与绘画结合起来,形成诗文书画为总体的特性.文人画的美学观念集中于所谓的笔墨,文人画主张笔与墨结合,意在笔先。
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| 关 键 词： | 中国画 重建文人画 中国美学 |
Literati Painting: Its Origin and Reconstruction |
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| FANG Hanwen and TANG Shengtian.Literati Painting: Its Origin and Reconstruction[J].Journal of Yancheng Institute of Technology,2014,27(4):51-56. |
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| Authors: | FANG Hanwen and TANG Shengtian |
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| Institution: | FANG Hanwen TANG Shengtian (1. Soochow University, Suzhou Jiangsu 215123, China; 2. Art Research Institute, East China Normal University, Shanghai 200032, China) |
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| Abstract: | A survey of its history is required for the reconstruction of literati painting. The origin of its aesthetic discourse can be ac- tually dated back much earlier than the present arguments about it in the history of art and painting, which derived from the subjec-tivity of ＂symbolizing the essence of the universe＂ found in the paintings on Yangshao pottery. It uses lines as the main method, while advocating the combination of calligraphy and painting, and characterized by the integration of poetry, prose, calligraphy and painting. Its aesthetics emphasizes the combination of line and shade, as well as the ingenuity of strokes. |
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| Keywords: | Chinese painting reconstruct literati painting Chinese aesthetics |
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