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论柬埔寨吴哥窟艺术及其宗教文化特征
引用本文:吴为山.论柬埔寨吴哥窟艺术及其宗教文化特征[J].阅江学刊,2009(3):86-92.
作者姓名:吴为山
作者单位:南京大学,江苏南京210093
基金项目:国家社科基金艺术学项目“中国古代雕塑风格演变研究”(08BF37).
摘    要:柬埔寨文化是由印度文化、中国文化以及其自身的本土文化通过碰撞和融汇而逐渐形成的,印度教、佛教以及神王合一的崇拜作为一条主线贯穿其发展。在此基础上,柬埔寨人创造出了辉煌灿烂、极具特色的吴哥窟雕塑与建筑艺术,其建筑与雕塑得到合理的运用和完美的结合。古代柬埔寨宗教文化的总体特征是印度教、佛教和神王崇拜相融并存,但总体宗教色彩较淡,富有浓郁的生活气息。

关 键 词:吴哥窟艺术  “高棉的微笑”  雕塑  建筑  宗教文化

On the Religious and Cultural Characteristics of Cambodian Angkor Wat Art
WU Wei-shan.On the Religious and Cultural Characteristics of Cambodian Angkor Wat Art[J].Yuejiang Academic Journal,2009(3):86-92.
Authors:WU Wei-shan
Institution:WU Wei-shan (Institute of Art, Nanjing University, Nanjing 210093, China)
Abstract:Cambodian culture has evolved from Indian culture, Chinese culture and their native culture through their collision and fusion. Hinduism, Buddhism and the adoration for the unity of divinity and king are main clues throughout Cambodian cultural development. Cambodians have created brilliant sculpture and architectural art of Angkor War where architecture and sculpture are applied reasonably and combined perfectly. The general feature of ancient Cambodian religious culture is coexistence of Hinduism, Buddhism and the adoration for the unity of divinity and king but religious color of the culture is weak and it has strong smack of everyday life in general.
Keywords:Angkor Wat art  Khmer smile  sculpture  architecture  religious culture
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