纸润墨香——藏书、家刻与女性著述《玉台画史》之成书关系

在西方经验中，社会性别关系更多地表现为冲突与对抗，而在中国，虽然男女两性间的冲突长期存在，但是共容与互动却是不容忽视的。清代女性史家汤漱玉的专题记载女性画家之史书《玉台画史》的付梓刊刻、留存与世、其夫婿的鼎力支持及其同汪家四世藏书之间的关系昭显出，艺术创作无关性别，优秀的文化艺术是男女各取所长共同缔造的。

The Paper Being Soft and the Ink Being Fragrant --the Correlation of Collection of Books and Family Engraving with the Writing of Painting History of Yutai by a Woman Writer

In the western experience, gender relations in society embody conflict and confrontation. However, in China the conflict between a man and a woman existed in a long term but the tolerance and interaction can not be ignored. The publication of Painting History of Yutai, which TANG Shuyu, the woman historian of Qing Dynasty, wrote on women artists, had much to do with the support of her husband and with collection of books of the four generations of Wang＇s family. This shows that artistic creation has nothing to do sex and outstanding cultural and artistic work is created by both men and women with the advantages of them.