| 越调《七擒孟获》的风格特征——兼论河南越调的发展趋向 |
| |
| 引用本文： | 吴彬.越调《七擒孟获》的风格特征——兼论河南越调的发展趋向[J].阅江学刊,2009(4):129-132. |
| |
| 作者姓名： | 吴彬 |
| |
| 作者单位： | 天彬南京大学,江苏南京210093 |
| |
| 摘 要： | 越调《七擒孟获》是中凤梅生前排演的最后一部“诸葛亮”戏，其风格归于内敛蕴藉，并引领了越调未来的走向。这种风格特征一是得益于唱词内在的张力，二是得益于对角色内心世界的深层开掘。
|
| 关 键 词： | 越调 七擒孟获 内敛蕴藉 |
The Stylistic Features of Capturing and Releasing MENG Huo Seven Times --On the Tendency of Development of Yuediao Opera in Henan Province |
| |
| WU Bin.The Stylistic Features of Capturing and Releasing MENG Huo Seven Times --On the Tendency of Development of Yuediao Opera in Henan Province[J].Yuejiang Academic Journal,2009(4):129-132. |
| |
| Authors: | WU Bin |
| |
| Institution: | WU Bin ( School of Liberal Arts, Nanjing University, Nanjing 210093, China) |
| |
| Abstract: | The Capturing and Releasing MENG Huo Seven Times of Yuediao Opera is the last opera on role of ZHUGE Liang played by SHEN Feng-mei. The style is refined and rich, which leads the future trend of Yuediao Opera. The stylistic features benefit from not only the tension in the libretto but also the profound comprehension of the inner world of the roles. |
| |
| Keywords: | Yuediao Opera Capturing and Releasing MENG Huo Seven Times refined and rich |
| 本文献已被 维普 等数据库收录！ |
