| “古今之争”与美学现代性 |
| |
| 引用本文： | 刘勇. “古今之争”与美学现代性[J]. 新疆大学学报(社会科学版), 2007, 35(5): 125-128 |
| |
| 作者姓名： | 刘勇 |
| |
| 作者单位： | 南京大学中文系 江苏南京210093 |
| |
| 摘 要： | "古今之争"对于美学现代性的贡献主要在于:首先是佩罗和丰特奈尔确立了艺术与科学的分界,从而初步论述了艺术的自律地位;其次是认识到了趣味的相对性,因而为现代人的创造性做了有力的辩护。美学现代性能够在18世纪最终确立,在此之前的"古今之争"功不可没。
|
| 关 键 词： | " 古今之争" 美学现代性 趣味 |
| 文章编号： | 1000-2820(2007)05-0125-04 |
| 修稿时间： | 2007-07-05 |
A Quarrel between the Ancients and the Moderns and Aesthetic Modernity |
| |
| LIU Yong. A Quarrel between the Ancients and the Moderns and Aesthetic Modernity[J]. Journal of Xinjiang University, 2007, 35(5): 125-128 |
| |
| Authors: | LIU Yong |
| |
| Abstract: | The Quarrel between the ancients and moderns contributed a lot to aesthetic modernity.First,Charles Perrault and Fontenelle established the division between the art and the science,and roughly dealt with the autonomy of the art.Secondly,some French scholars realized that the relativity of taste,thus defending the creativity of the moderns.The Quarrel between the ancients and the moderns played a significant role in the formation of aesthetic modernity in the 18th century. |
| |
| Keywords: | he Quarrel between the ancients and moderns aesthetic modernity taste |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
