| 关于东晋时期的中观般若美学 |
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| 引用本文： | 赵建军.关于东晋时期的中观般若美学[J].学术月刊,2006(12). |
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| 作者姓名： | 赵建军 |
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| 作者单位： | 江南大学文学院 江苏无锡214122 |
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| 摘 要： | 东晋时期,中观般若理论在中国达到高峰。中观般若在印度佛学里,代表一种特殊的直觉智慧,其思想体系和价值结构都包含着丰富的美学意蕴。东晋时期,中观般若美学思想经鸠摩罗什、僧睿、僧肇等绍介、阐释,系统传入中国,并内在地实现了由佛学、哲学意蕴向美学意蕴的转化,在理论的内涵及构成上也完成了中国化美学理论模型的构建。
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| 关 键 词： | 中观般若 美学蕴涵 理论模型 体系建构 |
Aesthetics of Intuitive Wisdom in East Jin Dynasty |
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| Zhao Jianjun.Aesthetics of Intuitive Wisdom in East Jin Dynasty[J].Academic Monthly,2006(12). |
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| Authors: | Zhao Jianjun |
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| Institution: | Zhao Jianjun |
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| Abstract: | In the period of East Jin Dynasty, the Buddhist theory of intuitive wisdom prevails in China. In Indian Buddhism, the ideology and value of intuitive wisdom consists of abundant aesthetic meaning. During East Jin Dynasty, it was introduced into China, and innately realized a transition from Buddhism and philosophy to aesthetic meaning. It fulfilled a theoretical pattern of Chinese aesthetics both in its content and form. |
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| Keywords: | intuitive wisdom aesthetic meaning theoretical pattern construction of system |
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