| 以情为本 以抒情为宗——明清时期情理美学观组论之一 |
| |
| 引用本文： | 黄南珊. 以情为本 以抒情为宗——明清时期情理美学观组论之一[J]. 西南大学学报(社会科学版), 1999, 0(5) |
| |
| 作者姓名： | 黄南珊 |
| |
| 作者单位： | 湖北省社会科学院文学研究所!武汉430077 |
| |
| 摘 要： | 明清时期尚情论派的情感美学观，以情为本，以抒情为宗，从情本论出发来观照文学的属性和功能，把主情主义美学原则作为艺术创造的审美理想原则，试图以情为艺术立法，并且揭示了艺术情感概念的文化新质、表现方式和精神特色
|
| 关 键 词： | 明清时期 尚情论派 情感美学观 艺术情感 |
Sentiment as the Foundation, Expression as the Ultimate: on the Aesthetic Viewpoint of Sentiment and Reason during the Ming and Qing Dynasties (1) |
| |
| HUANG Nanshan. Sentiment as the Foundation, Expression as the Ultimate: on the Aesthetic Viewpoint of Sentiment and Reason during the Ming and Qing Dynasties (1)[J]. Journal of southwest university(social science edition), 1999, 0(5) |
| |
| Authors: | HUANG Nanshan |
| |
| Abstract: | The emotionalist school during the Ming and Qing Dynasties takes sentiment as the foundation and expression of sentiment as the ultimate purpose. They think that the nature and function of literature should be viewed in terms of emotionalism and that the emotionalist aesthetic principle is the ideal principle of literary and artistic creation. They try to set sentiment as the law of art and reveal the cultural features, expression patterns and essence of artistic sentiment. |
| |
| Keywords: | the Ming and Qing Dynasties emotionalism the aesthetic viewpoint of sentiment artistic sentiment |
| 本文献已被 CNKI 等数据库收录！ |
