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“杂感家”鲁迅自我形象的轨迹——从鲁迅杂感文体意识说起
引用本文:毕绪龙. “杂感家”鲁迅自我形象的轨迹——从鲁迅杂感文体意识说起[J]. 山东师范大学学报(人文社会科学版), 2008, 53(6): 55-59
作者姓名:毕绪龙
作者单位:山东理工大学,文学院,山东,淄博,255049
摘    要:作家自编文集往往能够体现自己的创作特色和文体风格,更重要的是暗含了自己文字努力的向度及其自我主体形象。鲁迅在1925、1926年编辑《热风》、《华盖集》、《坟》,对自己以前的文字究竟编到哪个集子中做出了复杂的思考,而这样的编辑过程既体现了他自觉的杂感文体意识,更重要的是透露了一个现代知识分子反思自我、建构主体自我、塑造自我形象的努力。

关 键 词:鲁迅  文体研究  自我形象

Past Events of Random- Thought Essayist Lu Xun's self- image: From His awareness of Random- Thought Essays
Bi Xulong. Past Events of Random- Thought Essayist Lu Xun's self- image: From His awareness of Random- Thought Essays[J]. Journal of Shandong Teachers' University(Social Science Edition), 2008, 53(6): 55-59
Authors:Bi Xulong
Affiliation:Bi Xulong (School of Liberal Arts, Shandong University of Technology, Zibo, Shandong 255049)
Abstract:Collected works edited by their authors themselves tend to reflect the orientation of their own works and style,but more importantly,they tend to imply their self-subjective images.In The Flaming Wind(Re Feng),Baldachin(Huagai Ji),and The Tomb(Fen) edited by Lu Xun between 1925 and1926,he has weighed again and again as to which collection this or that essay is to be included in.More,these collections have revealed the efforts exerted by a modern intellectual for self reflection,for constructing a self-subjective image and for shaping a self-image.
Keywords:Lu Xun  studies on writing style  self-image
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