| 论移情作用在当今社会的重要性 |
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| 引用本文： | 薛安超.论移情作用在当今社会的重要性[J].河北工程大学学报(社会科学版),2011,28(2):108-109,120. |
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| 作者姓名： | 薛安超 |
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| 作者单位： | 1. 河北工程大学学工部,河北邯郸,056038
2. 邯郸学院艺术与传媒学院,河北邯郸,056005 |
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| 摘 要： | 文章以电影《兰陵王》的舞蹈产生背景为论据,进而对《兰陵王入阵乐》的舞蹈进行溯源,借以论述《兰陵王入阵乐》所具有的与原始乐舞不可分割的集中特点。影片以"面具"为焦点将一个遥远的传说变化和发展。既迎合了现代人的电影审美情趣,又夸张地刻画了兰陵王传说的精髓"面具"。
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| 关 键 词： | 兰陵王 乐舞 角抵戏 武舞 傩舞 |
| 收稿时间： | 2011/2/28 0:00:00 |
On the social significance of empahy |
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| Authors: | XUE An-chao |
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| Institution: | 1.Hebei University of Engineering,Handan 056038,China;2.Art and Media College,Handan College,Handan 056005,China) |
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| Abstract: | Starting from the background against which the dance in the film Warrior Lanling was born,this paper traces the dance accompanied by the music Warrior Lanling Entering the Array,concluding that the music dance is closely connected with primitive dancing.Highlighting the "mask",the film adapts and develops an ancient legend.The film not only satisfies modern audience’s artistic taste,but also depicts in exaggeration the "mask",the core of the legend of Warrior Lanling. |
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| Keywords: | Warrior Lanling music dance Jiaodi opera martial arts dance Nuo dance |
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