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电影叙事视角与观众欣赏心理
引用本文:汪献平.电影叙事视角与观众欣赏心理[J].湛江师范学院学报,2005,26(1):39-45.
作者姓名:汪献平
作者单位:中国传媒大学,影视艺术学院,北京,100024
摘    要:在观影过程中,不同的叙事视角决定了观众不同的接受方式和审美效果,二者存在着相互引导与制约的关系.全知视角以貌似客观的故事呈现实行隐蔽的主观操纵,使观众进入"幻觉认同"的世界.另一方面,不同的限制视角则以不同的信息传达,影响和制约着观众的接受视野和观影态度.

关 键 词:叙事视角  观众心理  全知视角  限制视角
文章编号:1006-4702(2005)01-0039-07
修稿时间:2004年10月12

Movie Narrative View and the Audience's View
WANG Xian-ping.Movie Narrative View and the Audience's View[J].Journal of Zhanjiang Normal College,2005,26(1):39-45.
Authors:WANG Xian-ping
Abstract:The accepting mentality and aesthetic appreciation of the audience while watching a movie depend on the different angles of the movie narration. The narrative view and the audience's view condition and restrain each other. From an omniscient angle of view, a story appears to be presented in an objective manner, but a subjective control is actually concealed. As a result, the audience are led into a world of "identifiable illusion". Meanwhile, a control of different angles of view constrains convey of messages, thus affecting and restricting the audience's view of and their attitude towards the story.
Keywords:movie narrative view  accepting mentality  omniscient view  restricted view
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