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"自律"与"他律"之间的变奏——新时期文艺美学对人性与阶级性的关系的探讨
引用本文:李世涛. "自律"与"他律"之间的变奏——新时期文艺美学对人性与阶级性的关系的探讨[J]. 阴山学刊, 2007, 20(3): 11-16
作者姓名:李世涛
作者单位:中国艺术研究院马克思主义文艺理论研究所 北京100029
基金项目:全国艺术科学“十五”规划重点课题“20世纪中国马克思主义艺术理论史”的部分最终成果
摘    要:自上个世纪70年代末,学术界就人性与人道主义问题展开了持续而广泛的讨论。这次讨论吸取了五六十年代关于人性论讨论的经验教训,从多方面深化了对人性与阶级性的认识,达成了一些共识,但也出现了不少的分歧。其中,艺术理论界结合艺术现象,探讨了人性与阶级性的五种基本关系,及其在艺术中的表现,极大地推进了艺术理论对这个问题的认识,具有重要的理论价值和现实意义。

关 键 词:阶级性  共同人性  艺术理论
文章编号:1004-1869(2007)03-0011-06
修稿时间:2007-03-19

Exploration into the Artistic Aesthetics on the Relations between Human Nature And Humanitarianism in the New Period
LI Shi-tao. Exploration into the Artistic Aesthetics on the Relations between Human Nature And Humanitarianism in the New Period[J]. Yin Shan Academic Journal, 2007, 20(3): 11-16
Authors:LI Shi-tao
Abstract:In the end of 1970s,the academic circle discussed the human nature and humanitarianism enduringly and extensively.This discussion drew the useful experience and lessons from the discussion of humanitarianism in 1950s and 1960s;deepened the knowledge in the relation between the class character and the common human nature from many aspects,achieved some fellow felling,and yet had some divergence.Five principal relations between class character and common human nature as well as the manifestation in arts were explored in this discussion,which promoted the theorists' exploration on this question,and has had important theoretical value and practical significance.
Keywords:Class Character  Common Human Nature  Art Theory
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