现代化进程中东方作家的乡土立场

近现代东方社会普遍进入现代化历程，这个进程与反帝反殖反封建斗争交汇一起，20世纪中后期又面临“全球一体化”的冲击，“乡土”成为东方作家在民族（国家）现代化进程中选取的一个最根本、最本土、最自我的文化、文学甚至政治立场，他们以“离乡”和“批判乡村”拉开乡土文学的序幕，接着以“乡村批判”和“归乡”为乡土文学的自觉时期，后经“乡土”与“祖国”的同一以及“仰视乡土”的“新乡土文学”的创造，最后进入文学、文化、人类灵魂的乡土“寻根”之旅，“乡土”被赋予了文化批判与现代审美价值。

Orient Writers' Local Standpoint in the Process of Modernization

The orient societies widely underwent a process of modernization in modern times.This process was mixed with the struggle against imperialism,colonialism and feudalism.In the later half of the 20th,these societies were faced with the shock of globalization.Thus,"local" became a standpoint for the orient writers to show their culture,literature,and even political attitude.They opened the curtain of local literature by "leaving' and "criticizing" local places,followed by a self-conscious period of "local criticism" and "returning to "local places".After the recognition of "local" and "mother land",as well as the literature creation of "new local literature",they began a journey to seek their root,and "local" was given cultural criticism and aesthetic value.