| 虚无:后现代艺术的心灵史 |
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| 引用本文： | 王杰泓,张琴.虚无:后现代艺术的心灵史[J].河北大学学报(哲学社会科学版),2004,29(4):32-34. |
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| 作者姓名： | 王杰泓 张琴 |
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| 作者单位： | 南开大学,文学院,天津,300071;黄岗师范学院,湖北黄岗,400035 |
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| 摘 要： | "虚无"在西语中,所指的是没有规定性、无意义或意义的缺失。后现代艺术第一次深刻洞见到意义世界的虚无,然而从荒诞文学到大众艺术,其始终呈现出在"虚无的观念"(有)与"观念的虚无"(无)之间游移的鲜明特征,诗性地回应了实存哲学关于人之存在"之间"性的沉思。
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| 关 键 词： | 虚无 后现代 虚无的观念 |
| 文章编号： | 1005-6378(2004)04-0032-03 |
| 修稿时间： | 2003年11月25 |
Nihinity:the Soul History of Postmodernism |
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| WANG Jie_hong,ZHANG Qin.Nihinity:the Soul History of Postmodernism[J].Journal of Hebei University(Philosophy and Social Science),2004,29(4):32-34. |
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| Authors: | WANG Jie_hong ZHANG Qin |
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| Abstract: | In western context, "nihinity" refer to no-meaning, loss or absence of meaning. Art after modernism first insights the nihinity of meaningful world deeply, But from Absurd Liter-ature to Mass Art, postmodernism art always presents sliding features between "the concept of nihinity" and "the absence of concept", which in fact reflects existential mediation about Dasin's nature of "mediation" metaphorically. |
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| Keywords: | nihinity postmodernism the concept of nihinity |
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