| 孔子人本主义文艺美学思想概论 |
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| 引用本文： | 罗坚.孔子人本主义文艺美学思想概论[J].广西师范学院学报(社会科学版),2001,22(1):40-43. |
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| 作者姓名： | 罗坚 |
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| 作者单位： | 罗坚（广西师范学院中文系） |
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| 摘 要： | 仁学是孔子美学思想的哲学基础,包含了一套完整的人格理论,标志着先秦人性的觉醒、理性的高扬.孔子以"仁"为美,以"和"为美的表现形态,把审美和人格修养、道德实践和人生理想联系在一起,促使了审美的意识形态化,对我国二千多年来文艺美学思想的发展流程产生了深远的影响.
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| 关 键 词： | 孔子 仁 和 美 |
| 文章编号： | 1002-5227(2001)01-0040-04 |
| 修稿时间： | 2000年6月29日 |
The Outline of Confusian Aesthetics in Humanism |
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| LUO Jian.The Outline of Confusian Aesthetics in Humanism[J].Journal of Guangxi Teachers Education University,2001,22(1):40-43. |
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| Authors: | LUO Jian |
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| Abstract: | Confucian aesthetics is based on his humanity theory, which included a set of personality theory, marking the awakening of the humanity and the rationality. Confucius considered the humanity as beauty, took harmony as a form of beauty, linking the aesthetic appreciation with the personality culture, moral practice and the human ideals, which impelled the ideology of the aesthetic appreciation, and effected the development of the ancient artistic theories and aesthetics of our country. |
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| Keywords: | Confucius humanity harmony beauty |
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