论晚唐诗歌唯美倾向的心理内涵与文化渊源──以许、杜、李、温四家诗为中心

以许浑、杜牧、李商隐、温庭筠为代表的晚唐诗坛,表现出明显的唯美倾向,与其前“元和诗变”的政治实用化原则明显不同。究其原因,既有在险恶的政治情势中消极避世并转而致力于纯艺术天地的外因,也有回归缘情文学传统的内在动力。在古近骄散的文体替兴过程中,诗律益趋整密,诗风尤显多样,并在客观上成为唐末诗歌复归齐梁的推导因素。

On the psychological connotations and cultural origin of the aesthetic tendency of the Late Tang poems

Unlike the practical political principle applied in the previous "Yuanhe Poetic Incident", the Late Tang poetic circle, represented by Xu Hun, Du Mu, Li Shang-yin and Wen Ting-yun revealed an apparent aesthetic tendency. There may be two reasons: trying to escape the then dangerous polities and turn to a realm of pure literature ; wishing to return to the traditional style of literature. In the course of the development of the styles of ancient and contemporary rhythmic prose, their poems became more strict in rhythm and riming and their styles became more varied, which was the major factor that brought the Late Tang poems back to the styles of the Qi-and-Liang Dynasties.