| 唐人题咏山水画的文化管窥 |
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| 引用本文： | 兰翠. 唐人题咏山水画的文化管窥[J]. 东南大学学报(哲学社会科学版), 2011, 13(2): 76-80,127,128 |
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| 作者姓名： | 兰翠 |
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| 作者单位： | 山东大学,文史哲研究院,山东,济南,250100;烟台大学,人文学院,山东,烟台,264005 |
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| 摘 要： | 唐代诗人的山水诗不仅取材于大自然,也取材于画家笔下的山水,因此产生了不少题咏山水画的作品。透过这些诗作可以看出:唐代山水画是士人们畅游自然最经济的精神替代品;山水画的愉悦功能趋于强化,画家多是泛画山水,泛景创作特征明显;诗人们以畅情畅性为品赏山水画的审美标准。唐人对山水画的题咏,从诗歌发展史意义上看,是对诗歌表现领域的又一次拓展。从绘画史意义上说,又为我们揭示了唐代山水画繁荣的文化原因。
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| 关 键 词： | 唐代 题咏山水画 文化 |
A cultural perspective on poems about landscape paintings by Tang scholars |
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| LAN Cui. A cultural perspective on poems about landscape paintings by Tang scholars[J]. Journal of Southeast University(Philosophy and Social Science ), 2011, 13(2): 76-80,127,128 |
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| Authors: | LAN Cui |
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| Abstract: | Writing poems about landscape paintings was a popular practice among the Tang poets.These poems revealed the poets’ understanding and appreciation of the landscape paintings.As artists painted mainly for enjoyment,the entertaining function of landscape paintings developed,which helped to establish the aesthetic standard for poets to appreciate landscape paintings.Poems written about landscape paintings represented an exploration in the field of poetry,and they also reveal the cultural background behind the prosperity of landscape paintings in that period. |
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