| 试论电视与戏曲传播 |
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| 引用本文： | 史挥戈.试论电视与戏曲传播[J].东南大学学报(哲学社会科学版),2011,13(2):120-125,128. |
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| 作者姓名： | 史挥戈 |
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| 作者单位： | 江苏大学,人文学院,江苏,镇江,212013 |
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| 摘 要： | 在中国,电视与戏曲一开始便紧密地结合在一起,逐渐相辅相成,取得了令人瞩目的成就。戏曲与电视结合是双向选择的结果,也是一种历史的必然。随着电视传媒的出现,戏曲在传播方式、艺术形态、观剧方式等方面发生了革命性的变化,以写意为特征的戏曲与以写实为特征的电视艺术结缘,经高度融合而成戏曲电视剧。传统与现代,戏曲与电视并不矛盾,二者的结合为彼此的发展增强了活力,展示了光明的前景。
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| 关 键 词： | 电视 戏曲传播 戏曲电视剧 媒介形态变化 |
On television industry and opera transmission |
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| SHI Hui-ge.On television industry and opera transmission[J].Journal of Southeast University(Philosophy and Social Science ),2011,13(2):120-125,128. |
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| Authors: | SHI Hui-ge |
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| Abstract: | In China,television industry and operas has been closely connected and complementing each other since the very advent of TV.The influence of TV has made for the revolutionary transformation from traditional forms of operas to operatic teleplays.Operas and TV or tradition and modernity are not contradictory;instead,their integration has injected new life to both. |
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