| 《原诗》的艺术主客体关系论 |
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| 引用本文： | 诸葛志.《原诗》的艺术主客体关系论[J].浙江师范大学学报(社会科学版),2001,26(2):9-12. |
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| 作者姓名： | 诸葛志 |
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| 作者单位： | 浙江师范大学人文学院,浙江金华,321004 |
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| 摘 要： | 本文拈出《原诗》中的“主客体关系论”作讨论对象,具体从三个方面展开一、文学以表现客观事物“理事情”为最高法则;二、“理事情”的把握和传达有赖于作者的“才识胆力”;三、诗歌艺术表现“理事情”的特殊性即在于“幽妙以为理,想象以为事,惝惚以为情”.
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| 关 键 词： | 诗歌艺术 理事情 才识胆力 |
| 文章编号： | 1001-5035(2001)02-0009-04 |
| 修稿时间： | 2001年1月12日 |
On Artistic Presentation of the Subject-Object Relationship in Yuanshi |
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| ZHUGE Zhi.On Artistic Presentation of the Subject-Object Relationship in Yuanshi[J].Journal of Zhejiang Normal University:Social Sciences,2001,26(2):9-12. |
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| Authors: | ZHUGE Zhi |
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| Abstract: | This study of Yuanshi covers three aspects:1.It is the ultimate literary principle to describe Li(inherent nature), Shi(dynamic process) and Qing(defining property) of the world; 2.The grasp and application of this principle depend on the author's Cai(perception), Shi(insight), Dan(courage) and Li(expressivity); 3.Poetry has its uniqueness in the presentation of Li, Shi and Qing of the world. |
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| Keywords: | Poetry Li Shi and Qing Cai Shi Dan and Li |
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