中国古典词学"格"范畴的承传

中国古典词学“格”范畴的承传,主要体现在两个维面:一是批评层面对“格”的承传运用;二是理论层面对“格”的承传阐说。在第一个维面,“格”最早在北宋中期进入到词学批评中,至清代,成为人们品评词人词作的主要审美范畴;在第二个维面,古典词学对“格”的阐说集中在清代,其内容主要体现为从创作主体人品才性学力角度探讨词格,从诗词体制上立论格调之别,对词格审美特征与要求予以论说,并对词格创造予以考察。上述两个维面,将“格”作为古典词学审美范畴的内涵充分展现了出来。

The Connecting Link of Category of "Ge" (Style) in Ci Poetry of Ancient Chinese Literary Theory

The connecting link of category of "Ge"(style) in Ci poetry of ancient Chinese literary theory,mainly embodies in two aspects: one is connecting link and applying in the critical aspect,the other is connecting link and explaining in the theoretical aspect.In the first aspect,the category of "Ge" gets into Ci poetry criticism in the mid Song Dynasty,going along to the Qing Dynasty.It became the major aesthetic category to comment on Ci poet or Ci poem.In the second aspect,the explaining center in the Qing Dynasty,the contents mainly embody in three aspects: conferring "Ge" from the angle of writer's moral,talent and scholastic ability,discussing the different of Ci poem's style,probing its aesthetic characteristic,and inspecting its creating and product.The above-mentioned two aspects fully show the contents of "Ge" as the ancient Ci poetry aesthetic category.