Of bodies captured: the visual representation of the Paarl march and Poqo in apartheid South Africa

This article examines the visual representation of the violent march on the Western Cape town of Paarl in November 1962, and the place of photographs as employed by the media, a state-appointed commission of inquiry, and a series of judicial trials in the making of this event and its subjects. It is particularly concerned with a file of photographs of men accused of participating in the march, as a means to potentially enabling more complex and nuanced readings of the uprising than those provided by the textual archive surrounding the event. It considers the ways in which these photographs were used and why, while seemingly meant to give a face to a united Poqo organisation they never take on an altogether-public life. Clearly photographic occasions which were not as rigidly controlled as one would expect from police photographs, these photographs reference a multiplicity of genres. Yet at the same time, as the products of police surveillance, they remain deeply complicit in discourses of power and subjectification.