| Abstract: | Drawing on Susan Leigh Star’s conceptualization of boundary objects as a corpus of actions through which an imaginary context for doing social work emerges, this article examines how two seemingly disparate sites of cultural production can be comparatively brought into conversation with one another. These sites include specific expert communities where actors within the fields of fashion design and livestock husbandry both evaluate and theorize new social possibilities. By attending to how these practices unfold through an experimental rendering of expertise this article employs the notion of a boundary object to comparatively analyzing the speculative practices of these two sites. |
