“艺术平民化”的两个案例——安迪·沃霍尔与约瑟夫·波伊斯作品解读

安迪·沃霍尔（Andy Warhol，1928—1987年）和约瑟夫·波伊斯（Beuys Joseph，1921—1986年）同是20世纪后半叶美欧艺术的旗帜性人物，也是艺术评论的焦点，但针对他们的评述往往盲目与武断。从社会、公众、艺术等诸因素入手，对他们的艺术进行了深入分析，并通过他们的两件作品，客观地解读了这两位艺术家，揭示了当代艺术作品的构成元素、方式以及作品内涵等因素间的密切联系。

Two Cases Study of Arts for Populace Interrupting the Art Works From Andy Warho1 and Beuys Joseph

Andy Warhol （1928-1987） and Joseph Beuys（1921-1986） were predominant artists in America and Europe in the last of the 20th century. Most critics hove focused their attention on their works. The comments on their works, however, are arbitrary and blind. In this paper, the features of their arts are analyzed in a profound way with taking the social and art factors into considerafion. Meanwhile, the paper interpreting the two artists objectivey and disclosing the relafions between the internal factors of contemporary works of art, such as the composing elements and ways, the connotation, ere, based on the comprehension of their two works.