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明代意象论研究
引用本文:元文广.明代意象论研究[J].华北水利水电学院学报(社会科学版),2013(5):149-152.
作者姓名:元文广
作者单位:西安航空学院基础部,陕西西安710077
摘    要:意象是中国古典文论所特有的一个文艺理论范畴,通常被用来评诗、论画。意象论的形成经历了漫长的发展过程,经先秦、唐宋之后,到明代才迎来了意象论的真正成熟。明代人在讨论意象时提出了明确的理论观点,认为意象要衡当、意象要含蓄、意象要虚构等。这些理论观点在清代得到了进一步的继承和发展。

关 键 词:明代  意象  含蓄  虚构

In the Ming Dynasty Imagery Theory Research
YUAN Wen-guang.In the Ming Dynasty Imagery Theory Research[J].Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition),2013(5):149-152.
Authors:YUAN Wen-guang
Institution:YUAN Wen-guang (Basis Department Xi' an Aeronautical University, Xi' an 710077, China)
Abstract:Peculiar to Chinese classical literary theory of the image is a literary theory category, is generally used to evaluation of poetics picture. Theory of image formation has experienced a long development course, after Qin, Tang and Song dynasties until the Ming Dynasty ushered in the imagery theory in the mature period. People of Ming Dynasty when discussing image points out the theory of point of view, think the image to scale when, want to implicative, imagery to fiction, and so on, the theory viewpoint is inheritance and development in the Qing dynasty.
Keywords:image  Ming Dynasty  implicit  fiction
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