“言文一致”与中国文学观念的现代转型——对“言文一致”命题的重新审视

“言文一致”是晚清和“五四”两代知识分子共同关心的文化命题，但他们也显示出内在的差异与分歧。文学启蒙是“言文一致”的历史动因，前者借此表达的是民族国家意识，但后者更注重个性意识的释放；对汉语的全面反恩是“言文一致”的现实起点。前者还是在旧有的规范中创作，后者却创立了现代白话；“文学”观念的革新是“言文一致”的实际成果。前者推进了文学观念的转型，但后者才经由现代汉语建立起现代思想文化。

On the Identity of Vernacular and Written Forms of Language and Modern Transformation of Chinese Literary Ideas

The issue of the Identity of vernacular and written forms of language drew intellectuals＇ attention in the period of the late Qing dynasty and May Fourth Movement. However, implications differ in the two periods. First, the former wants to promote the sense of country and nation, but the latter focuses on personality. Second, the former still sticks to the old rules but the latter leads to the emergence of modem vernacular. Third, the renovation of literary ideas is the practical achievement. The former promotes a transformarion of literary ideas, but the latter sets up the modern thought and culture.